International Journal For Multidisciplinary Research

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Call for Paper Volume 6 Issue 3 May-June 2024 Submit your research before last 3 days of June to publish your research paper in the issue of May-June.

Studying Lyrics as the True State of Subconscious Devotement to the God with a Special Reference to Rabindranath Tagore’s Gitanjali, Song 1, 2 and 3

Author(s) Tuhin Subhra Nag
Country India
Abstract Rabindranath Tagore produced his literary manifestation through art, and vice versa. His artistic creation and literature are known in every corner of the literary world for their sublimity, mirth, vigour, rejuvenation, mourning, despair, death, connection with mankind, God, and nature, as an ensemble ecstasy of experiencing shades of life. Those ecstatic qualities of ultimate demonstration published Gitanjali in life in the year 1910 with 156 songs in togetherness, which brought Tagore the honour in 1913 of becoming the first Nobel laureate as an Asian in literature. Tagore has shown the world his musical devotion towards nature, love, humanity, and God. In every aspect of life, it has become relevant to its core and hidden subconsciousness. The true inspiration of Bhakti Andolon (Bhakti Movement), which made its resonance in the 16th century, especially in Bengal, was inculcated in the verses of Gitanjali, which murmur the sole devotee of Tagore at the feet of Lord Krishna, the incarnation of Lord Vishnu, the one who preserves the creation. The hearty samarpan (surrender) of a poetic persona like Rabindranath Tagore thoroughly influences readers, scholars, and researchers for the study of literary and psychological assessment simultaneously over the years. His choice of rendition through the words and gradual escalation towards the almighty signify the subconscious state of his core devotion as worship. It clearly seems Tagore’s conscious and deliberate movement from his own body to the cosmic devotion of Lord Krishna. This article aims to assess a brief study of the subconscious state of Tagore’s spiritual mind through his lyrics in Gitanjali, specifically in songs 1, 2, and 3. The descriptive research method is taken as the methodological approach for the study. For the expected substantiation of the stated facts, this article has taken a few references from anonymous sources as a secondary study of research.
Keywords Devotion, Gitanjali, Lyrics, Subconscious, Tagore
Field Arts
Published In Volume 6, Issue 3, May-June 2024
Published On 2024-05-05
Cite This Studying Lyrics as the True State of Subconscious Devotement to the God with a Special Reference to Rabindranath Tagore’s Gitanjali, Song 1, 2 and 3 - Tuhin Subhra Nag - IJFMR Volume 6, Issue 3, May-June 2024. DOI 10.36948/ijfmr.2024.v06i03.19432
DOI https://doi.org/10.36948/ijfmr.2024.v06i03.19432
Short DOI https://doi.org/gttbgk

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