International Journal For Multidisciplinary Research

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REPRESENTATION OF ISLAMIC SUBALTERN STRUGGLES IN 'FIR' MOVIE: A CINEMATIC ANALYSIS

Author(s) Mr. A Vanathu Suresh, Prof. R Subramani
Country India
Abstract Cinema is a form of art and entertainment that uses moving images, sound, and storytelling to convey narratives, evoke emotions, and communicate ideas. This study presents a comprehensive cultural film analysis of "FIR," focusing on the representation of Islamic subaltern struggles as depicted within its narrative structure and visual composition. The analysis delves into how the film encapsulates the complexities of identity, agency, and resistance among marginalized Muslim communities in contemporary society by employing a framework rooted in cultural studies and film theory. The paper begins by contextualizing the movie within its socio-political landscape, exploring the historical and cultural factors contributing to portraying Islamic subaltern identities. It examines key themes such as systemic oppression, cultural stereotypes, and the intersectionality of gender and class, highlighting how these elements shape the characters' lived experiences. Furthermore, the study analyzes the film’s cinematic techniques, such as mise-en-scene, sound design, and editing, revealing how these artistic choices enhance the narrative’s emotional depth and political commentary. Through close readings of pivotal scenes, the paper illustrates how the film uses visual symbolism and narrative arcs to portray Islamic subalterns' struggles for justice and recognition. The analysis also engages audience reception, considering how "FIR" challenges dominant narratives and invites viewers to empathize with the struggles of marginalized communities. By foregrounding diverse perspectives and complex characters, the film acts as a counter-narrative to mainstream representations, fostering a deeper understanding of resilience and agency within these communities. This study posits that "FIR" not only reflects the multifaceted realities of Islamic subaltern struggles but also serves as a critical cultural artifact that interrogates societal norms and encourages dialogue on representation, identity, and justice issues in a polarized world.
Keywords Cinema, Marginalized communities, Muslim, Oppression, Subaltern
Field Arts > Movies / Music / TV
Published In Volume 7, Issue 2, March-April 2025
Published On 2025-04-26
DOI https://doi.org/10.36948/ijfmr.2025.v07i02.42105
Short DOI https://doi.org/g9gvdb
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E-ISSN 2582-2160
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