Cross-Dressing in William Shakespeare's Plays: A Study of Gender, Identity, and Performance

Author(s)	Mr. Kaushik Nath
Country	India
Abstract	This article examines the role of cross-dressing in William Shakespeare’s plays as a narrative and thematic device that challenges traditional gender norms and explores the fluidity of identity. Focusing on Twelfth Night, As You Like It, The Merchant of Venice, and The Two Gentlemen of Verona, the analysis reveals how Shakespeare's cross-dressed heroines subvert patriarchal structures and gain access to male-dominated spaces, thereby asserting autonomy and agency. The article contextualizes these portrayals within the theatrical conventions of Elizabethan England, where all roles were performed by men, and considers the sociocultural implications of gender performance on stage. While these plays often conclude with a return to traditional gender roles, they leave audiences with enduring questions about the performative nature of gender, the complexity of human desire, and the elasticity of identity. Shakespeare’s use of cross-dressing is thus both a comedic strategy and a profound commentary on the constructs of gender and power.
Keywords	William Shakespeare, Cross-dressing, Gender identity, Elizabethan theatre, Viola, Rosalind, Portia, Julia, Gender performativity, Homoeroticism, Patriarchy, Comedy, Theatrical convention, Identity fluidity, Gender roles
Field	Arts
Published In	Volume 7, Issue 3, May-June 2025
Published On	2025-05-23
DOI	https://doi.org/10.36948/ijfmr.2025.v07i03.45781
Short DOI	https://doi.org/g9mnzp

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