Manifestation of Traditional Techniques and Material Adaptations in Indian Contemporary Tanjore Painting

Author(s)	Ms. Damini Yadav, Prof. Nirupama Singh
Country	India
Abstract	Tanjore painting, one of South India’s most cherished classical art forms, is celebrated for its intricate relief work, vibrant natural colours, and opulent gold embellishments. More than just visual splendour, the tradition carries deep spiritual and cultural significance. In today’s rapidly evolving artistic landscape, contemporary artists face the challenge of maintaining its authenticity while negotiating practical constraints, changing patron demands, and global exposure. The research draws upon interviews with four experienced Tanjore artists Swarna Raja Kochi, Ushaa Kannan, Mythili Ganesh, and Kanimozhi Santhanam to examine how traditional techniques are preserved, adapted, and taught. The study reveals that while certain material adaptations may be necessitated by modern circumstances, the spiritual core and rigorous methodology remain fiercely protected by practitioners who view themselves not merely as artists but as cultural custodians.
Keywords	Cultural preservation, Gold foil, Kanimozhi Santhanam, Mythili Ganesh, Spiritual art, Swarna Raja Kochi, Ushaa Kannan, Tanjore painting, Traditional technique
Field	Arts > Drawing
Published In	Volume 7, Issue 3, May-June 2025
Published On	2025-06-09
DOI	https://doi.org/10.36948/ijfmr.2025.v07i03.47582
Short DOI	https://doi.org/g9pz54

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