International Journal For Multidisciplinary Research

E-ISSN: 2582-2160   •   Impact Factor: 9.24

A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal

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Volume 7 Issue 4
July-August 2025

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Choreographing the lens with noyam: dance for camera and the (re)presentation of Ghanaian culture

Author(s) Latipher Amma Osei
Country Ghana
Abstract Dance functions as an essential means of cultural expression as it provides views on identity, social values, and historical narratives. This research contrasts a filmed dance-for-camera project with the live performances of the NOYAM African Dance Institute; a Ghanaian dance ensemble, critically analysing how the medium affects artistic expression, cultural representation, and audience reach. By observing live performances, collecting recorded data, and conducting key interviews, the analysis was carried out using a framework guided by film theory and performance theory to interpret the cinematic aspects of the dance movements and their cultural importance. The Dance for Camera initiative shows the strategic use of focused filming and editing to project the emotional impact of traditional movements, all while adhering to ethical standards through participation and cultural understanding. While live performances are limited to specific venues, digital content makes available opportunities for preservation and the chance to reach different and even wider audiences, creating more dialogue and promoting cultural diversity. This research contributes to broader discussions about the future of Ghanaian dance and offers valuable insights for international cultural exchange.
Keywords Dance for Camera, Ghanaian Dance, Digital Media, Authenticity, NOYAM Dance Institute
Field Arts > Movies / Music / TV
Published In Volume 7, Issue 4, July-August 2025
Published On 2025-07-17
DOI https://doi.org/10.36948/ijfmr.2025.v07i04.51235
Short DOI https://doi.org/g9tz7f
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E-ISSN 2582-2160
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