International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
IC-AIRCM-T3-2026
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 2
March-April 2026
Indexing Partners
Songs of Resistance: A Comparative Study of Colonial Violence in Indian Sunset and Run To The Hills
| Author(s) | Mr. Hijam Georgie Philemon, Dr. Omila Thounaojam |
|---|---|
| Country | India |
| Abstract | Artists have used popular music as a means to depict and critique the violent pasts of colonialism. The production of Western culture through songs like Run to the Hills and Indian Sunset has had an enormous effect on the memory of colonized people. Yet even though both songs are well known in contemporary culture, the vast majority of postcolonial studies have ignored them entirely, which leaves us with a glaring gap in our understanding of how lyrics from modern-day songs play a role in the process of politically determining how to remember things that happened historically. This study aims to fill the gap by looking at the way that each song portrays colonial military violence and anti-colonial resistance efforts. It adds to the conversation around both representation and military violence against the locals by analyzing the lyrics and narrative structure of each of the songs, as well as how their creators framed their meaning ideologically. The two songs illustrate the oppressive nature of settler colonialism and different means of resistance from indigenous people. Run to the Hills constructs a narrative valorizing the Native Cree (the most honorable of the indigenous people) through use of aggressive, intense music in combination with ironic inversion to expose colonial settler hypocrisy and systemic colonial violence. Indian Sunset appropriate the use of Apache’s traditional methods of resisting colonialism and consists of a melancholy, reflective view that connects with indigenous people’s collective memory and voice. By undertaking this kind of comparative analysis, the study examines the way in which popular music subverts historical narratives imposed by empires, exposes the historical oppression of Indigenous peoples, and generates a dialog around ongoing decolonial cultural development. |
| Keywords | Run to the Hills, Indian Sunset, Postcolonial, Resistance, Colonial Violence |
| Published In | Volume 7, Issue 6, November-December 2025 |
| Published On | 2025-12-12 |
| DOI | https://doi.org/10.36948/ijfmr.2025.v07i06.63293 |
Share this

E-ISSN 2582-2160
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals