International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
IC-AIRCM-T3-2026
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 2
March-April 2026
Indexing Partners
Affective Politics of Aesthetics: Visual Trends and Sensory Worlds on Social Media
| Author(s) | Ms. Shuchita Joshi, Prof. Dr. Atanu Bhattacharya |
|---|---|
| Country | India |
| Abstract | This paper examines how social media aesthetics function as affective infrastructures that shape user participation and identity formation on digital platforms, specifically Instagram. Moving beyond conventional notions of aesthetics as visual trends, it analyses how aesthetic styles such as Minimalism, Dark Academia, Cottagecore, and Vanilla Girl operate as affective modalities producing distinct emotional atmospheres and sensory experiences. Drawing on Brian Massumi’s (2002) theorization of affect as pre-individual intensity, Sara Ahmed’s (2004) concept of affective economies, and Teresa Brennan’s (2004) model of transmission of affect, the paper demonstrates how these aesthetics circulate moods and feelings that exceed individual expression to create collective affective environments. It also proposes the concept of ‘atmospheric technologies’ to capture how social media aesthetics, through curated visuals and platform affordances, generate ambient moods that users inhabit and circulate. The analysis reveals that platforms serve as affective infrastructures, designed to amplify content based on its capacity for emotional resonance rather than its textual meaning. Users perform affective labour through curated visuals and stylistic choices to sustain coherent identities, operating within platform logics of visibility and shareability that inherently reinforce social hierarchies of race, class, and cultural privilege. The paper argues that even aesthetics appearing to resist neoliberal values, such as Cottagecore’s pastoral retreat or Dark Academia’s intellectual melancholy, are absorbed into platform economies that transform affect into marketable, shareable content, illustrating how contemporary digital culture packages emotions into standardized aesthetic modes. |
| Keywords | Affect Theory, Social Media Aesthetics, Digital Platforms, Instagram, Aesthetic Curation |
| Field | Sociology > Linguistic / Literature |
| Published In | Volume 7, Issue 6, November-December 2025 |
| Published On | 2025-12-13 |
| DOI | https://doi.org/10.36948/ijfmr.2025.v07i06.63296 |
Share this

E-ISSN 2582-2160
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals