International Journal For Multidisciplinary Research

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A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal

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*The Incorporation of Bhatiali Melodic Structure in Rabindranath Tagore’s Songs: Origins, Transformation, and Aesthetic Significance*

Author(s) Dr. Surajit NA Roy
Country India
Abstract This article examines the incorporation of Bhatiali melodic structures into selected songs of Rabindranath Tagore, situating the process within broader questions of folk–classical interaction, cultural translation, and modern musical aesthetics in colonial Bengal. Bhatiali, traditionally associated with the riverine life of Bengal’s boatmen, is characterized by expansive melodic contours, modal
fluidity, and a distinctive emotive ethos rooted in separation, longing, and existential reflection. Tagore’s engagement with this folk idiom was neither imitative nor archival; rather, it involved a deliberate process of transformation, whereby folk melodic elements were recontextualized within a refined poetic
and compositional framework. Employing an ethnomusicological and analytical approach, this study analyzes melodic phrases, scale usage, tonal gravity, rhythmic flexibility, and lyrical thematics in selected Rabindrasangeet compositions that exhibit Bhatiali influence. The article argues that Tagore preserved the affective core of Bhatiali—its sense of spatial vastness and emotional suspension—while adapting its musical grammar to suit literary sophistication, urban sensibilities, and pedagogical transmission. This synthesis enabled folk melody to function as a vehicle of modern artistic expression without losing its cultural resonance. By foregrounding Tagore’s creative mediation between oral folk tradition and composed art music, the study highlights his role in redefining Bengali musical modernity. The incorporation of Bhatiali emerges
not merely as stylistic borrowing, but as an aesthetic and philosophical strategy that bridges locality and universality, emotion and intellect, tradition and innovation. The article contributes to existing scholarship by offering a focused melodic analysis grounded in ethnomusicological theory, thereby deepening our understanding of Tagore’s musical imagination and the enduring dialogic relationship between folk music and elite cultural production.
Keywords *Rabindrasangeet; Bhatiali Folk Music; Ethnomusicology; Folk–Music Interaction; Tagore Studies*
Field Arts > Movies / Music / TV
Published In Volume 8, Issue 1, January-February 2026
Published On 2026-01-22
DOI https://doi.org/10.36948/ijfmr.2026.v08i01.67072

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