International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
IC-AIRCM-T3-2026
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 2
March-April 2026
Indexing Partners
*The Incorporation of Bhatiali Melodic Structure in Rabindranath Tagore’s Songs: Origins, Transformation, and Aesthetic Significance*
| Author(s) | Dr. Surajit NA Roy |
|---|---|
| Country | India |
| Abstract | This article examines the incorporation of Bhatiali melodic structures into selected songs of Rabindranath Tagore, situating the process within broader questions of folk–classical interaction, cultural translation, and modern musical aesthetics in colonial Bengal. Bhatiali, traditionally associated with the riverine life of Bengal’s boatmen, is characterized by expansive melodic contours, modal fluidity, and a distinctive emotive ethos rooted in separation, longing, and existential reflection. Tagore’s engagement with this folk idiom was neither imitative nor archival; rather, it involved a deliberate process of transformation, whereby folk melodic elements were recontextualized within a refined poetic and compositional framework. Employing an ethnomusicological and analytical approach, this study analyzes melodic phrases, scale usage, tonal gravity, rhythmic flexibility, and lyrical thematics in selected Rabindrasangeet compositions that exhibit Bhatiali influence. The article argues that Tagore preserved the affective core of Bhatiali—its sense of spatial vastness and emotional suspension—while adapting its musical grammar to suit literary sophistication, urban sensibilities, and pedagogical transmission. This synthesis enabled folk melody to function as a vehicle of modern artistic expression without losing its cultural resonance. By foregrounding Tagore’s creative mediation between oral folk tradition and composed art music, the study highlights his role in redefining Bengali musical modernity. The incorporation of Bhatiali emerges not merely as stylistic borrowing, but as an aesthetic and philosophical strategy that bridges locality and universality, emotion and intellect, tradition and innovation. The article contributes to existing scholarship by offering a focused melodic analysis grounded in ethnomusicological theory, thereby deepening our understanding of Tagore’s musical imagination and the enduring dialogic relationship between folk music and elite cultural production. |
| Keywords | *Rabindrasangeet; Bhatiali Folk Music; Ethnomusicology; Folk–Music Interaction; Tagore Studies* |
| Field | Arts > Movies / Music / TV |
| Published In | Volume 8, Issue 1, January-February 2026 |
| Published On | 2026-01-22 |
| DOI | https://doi.org/10.36948/ijfmr.2026.v08i01.67072 |
Share this

E-ISSN 2582-2160
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals