International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
IC-AIRCM-T3-2026
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 2
March-April 2026
Indexing Partners
Trauma and Politics of Memory in Aravind Adiga’s the White Tiger
| Author(s) | Sanskriti |
|---|---|
| Country | India |
| Abstract | The paper offers a critical investigation of trauma and the politics of memory in The White Tiger by Aravind Adiga. By exposing deep economic disparities, the novel presents a compelling portrait of post-liberalization India. It narrates corruption and class inequality through the voice of Balram Halwai, who rises from rural subjugation to become an entrepreneur. However, his success is deeply marked by psychological trauma rooted in colonial legacy and neo-capitalist exploitation. Drawing on trauma theory and postcolonial criticism, this paper examines individual memory as a narrative strategy through which Balram reconstructs his past and family history, negotiates shame, and legitimizes violence. The novel, therefore, is not merely a representation of personal suffering but also a reflection of trauma shaped by systemic conditions that entrench hierarchies of caste, class, and economic disparity. These conditions are historically linked to colonial power formations that persist within contemporary global capitalism. Balram’s epistolary narration to the Chinese Premier, Wen Jiabao, functions as a performative act of remembering and self-fashioning. His selective, ironic, and morally ambivalent recollection of events reveals how memory becomes a tool for both testimony and justification. His consciousness of the “Darkness” operates simultaneously as an acknowledgment of oppression and a rationalization of resistance. Ultimately, The White Tiger portrays postcolonial India as a space where trauma is normalized within aspirational modernity. Through fragmented memory and calculated self-narration, Adiga reveals a rapidly transforming urban landscape in which success is often achieved through violence, erasure, and the reinvention of selfhood. |
| Keywords | Trauma, Politics of Memory, Violence, Neo-liberal Capitalism, Urban Marginality, Narrative Self-Fashioning, Urban Entrapment. |
| Field | Sociology > Linguistic / Literature |
| Published In | Volume 8, Issue 1, January-February 2026 |
| Published On | 2026-01-20 |
Share this

E-ISSN 2582-2160
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals