International Journal For Multidisciplinary Research

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Perspectives on Continuity and Transformation in Indian Classical Dance

Author(s) Ms. Anju Bennie Bennie
Country India
Abstract This article examines the continuity and transformation of Indian classical dance through a historical and conceptual analysis grounded in the Natyasastra. It begins by exploring the early conception of dance as an integral component of nāṭya, where nṛtta functioned primarily as an abstract, aesthetic embellishment within dramatic performance. Tracing the evolution into the medieval period, the study highlights the emergence of nṛtya as an expressive form, shaped by the incorporation of mimetic and emotive elements, particularly within the Uparūpaka traditions. The shift from mārga to deśī practices further contributed to the regional diversification of dance, eventually leading to the formation of distinct classical traditions.
Despite these transformations, the article argues that a strong conceptual continuity persists, particularly through the centrality of abhinaya. Drawing on the theories of rasa and bhāva, it examines how abhinaya functions as the primary medium for aesthetic communication. The study further analyses the transformation of caturvidha abhinaya in performance practice, noting the transition from theatrical to predominantly non-verbal, solo formats. Ultimately, the article demonstrates that Indian classical dance evolves through adaptation while remaining deeply rooted in its foundational aesthetic principles.
Keywords Natyasastra, Nṛtta, Nṛtya, Nāṭya, Mārga, Deśī, Rasa, Bhāva, Abhinaya, Dance History, Indian Classical Dance
Field Arts
Published In Volume 8, Issue 3, May-June 2026
Published On 2026-05-03
DOI https://doi.org/10.36948/ijfmr.2026.v08i03.77176
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