International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
DePaul-2026
IC-AIRCM-T3-2026
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 3
May-June 2026
Indexing Partners
Deconstruction of the Constructions of Gender: An Insight into OTT Platforms through Super Deluxe, Kaathal – The Core, Ek Ladki Ko Dekha Toh Aisa Laga, and Swag
| Author(s) | Prof. Sharada Yeduguri Sundinti |
|---|---|
| Country | India |
| Abstract | The expansion of Over-the-Top (OTT) platforms has transformed contemporary Indian cinema by enabling narratives that interrogate gender binaries, heteronormativity, and conventional social structures. This paper examines the deconstruction of gender identities and queer subjectivities in four significant Indian films: Super Deluxe (Tamil), Kaathal – The Core (Malayalam), Ek Ladki Ko Dekha Toh Aisa Laga (Hindi), and Swag (Telugu). Using Judith Butler’s theory of gender performativity, Michel Foucault’s discourse on sexuality, Laura Mulvey’s gaze theory, and queer theory, the study analyzes how these films challenge normative constructions of masculinity, femininity, and sexuality. The paper argues that OTT platforms have enabled filmmakers to foreground marginalized identities and represent LGBTQIA+ experiences with greater complexity and sensitivity. Through textual and cultural analysis, the study demonstrates that these films dismantle patriarchal assumptions embedded in Indian cinematic traditions while reimagining family, identity, and desire. The paper further contends that OTT platforms function as democratized cultural spaces where alternative gender narratives gain visibility beyond conventional theatrical limitations. Ultimately, the study concludes that contemporary Indian cinema increasingly uses queer representation not merely for symbolic inclusion but as a critical tool for questioning the social construction of gender itself. |
| Keywords | gender performativity ,Indian cinema, LGBTQIA+, masculinity,OTT platforms, queer cinema, , queer theory, , transgender representation |
| Field | Sociology > Linguistic / Literature |
| Published In | Volume 8, Issue 3, May-June 2026 |
| Published On | 2026-05-20 |
| DOI | https://doi.org/10.36948/ijfmr.2026.v08i03.79086 |
Share this

E-ISSN 2582-2160
CrossRef DOI is assigned to each research paper published in our journal.
IJFMR DOI prefix is
10.36948/ijfmr
Downloads
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals