International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
DePaul-2026
IC-AIRCM-T3-2026
NSSFIGTMA-2025
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 4
July-August 2026
Indexing Partners
The Lagne Dance: As A Symbol of Santali Identity in the Age of Modernization
| Author(s) | Ms. Jayanti Marndi |
|---|---|
| Country | India |
| Abstract | The paper examines the Lagne or Lagre dance which is an essential part of the cultural identity of the Santali people that is a very happy and joyful dance. The study through an ethnographic lens, does not just consider the dance as a performance, but as a living social practice that is a mirror of the values, history and harmonious unity of the Santal tribe. The Lagne is a group dance performed to the rhythm of the instruments such as the Tamak (drum), Tumdah and Tiriau (flute) and historically is a group dance known as men and women dance in circles and semi circles. With an etymological origin of the words denoting the clearing of the village meeting place, the dance had its original beginnings in the rituals to bring rain and assure agriculture to be fruitful. As time went by, it turned into a common social affair usually organized on moonlit nights in which romantic feelings were prevalent and offered a platform where young people could court each other. This study aims at capturing the historicity and linguistic background of the Lagne dance, the traditional choreography and rhythmic sequences of the dance, and the process through which the dance has evolved and is now a cultural show. In particular, the paper discusses the move towards so-called DJ Lagne or Disco Lagne, a modern mixture style based on modern electronic music. The studies seek to comprehend how the Santali youth struggle with the concern of maintaining their traditional folk dance, including the particular footwork and community spirit, and keeping up with the emerging social realities and urbanization effects. This study will help fill a gap in the research on indigenous performance by revealing how Lagne dance is an effective emblem of pride and identity that can be preserved and adapted to stay current and relevant to the future generations. |
| Keywords | Keywords: Santal, Lagne dance, Cultural evolution, Indigenous identity, Folk performance |
| Field | Arts |
| Published In | Volume 8, Issue 4, July-August 2026 |
| Published On | 2026-07-19 |
Share this

E-ISSN 2582-2160
CrossRef DOI prefix of IJFMR is 10.36948/ijfmr
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals