International Journal For Multidisciplinary Research

E-ISSN: 2582-2160     Impact Factor: 9.24

A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal

Call for Paper Volume 8, Issue 4 (July-August 2026) Submit your research before last 3 days of August to publish your research paper in the issue of July-August.

Aipan: The Folk Painting Tradition of Kumaon – Cultural Symbolism, Ritual Practices, and Contemporary Relevance

Author(s) Dr. Aparna Singh
Country India
Abstract Aipan, the ritual floor and wall painting tradition of the Kumaon region of Uttarakhand, occupies a distinctive place among India's vernacular visual practices. Executed primarily by women using a paste of soaked rice known as biswar applied over a base of red ochre or geru, Aipan accompanies nearly every significant life-cycle and calendrical event in Kumaoni households, from birth and the sacred-thread ceremony to marriage, death, and seasonal festivals. This paper approaches Aipan not simply as a decorative folk art but as a structured ritual language through which cosmological belief, gendered labour, and regional identity are continuously enacted and transmitted across generations. Drawing on documented classifications of Aipan styles and motifs, the study traces the tradition's historical background, its embeddedness in Kumaoni religious life, and the iconographic vocabulary of geometric grids, divine footprints, and floral and astral emblems through which particular chowkis such as the Lakshmi Chowki, Saraswati Chowki, Janeu Chowki, and Dhuliarghya communicate distinct ritual intentions. The paper further considers the tradition's transformation under the combined pressures of urban migration, commercial adaptation, tourism, and digital circulation, alongside institutional interventions such as the 2021 Geographical Indication registration. It concludes that Aipan's continuity depends on reconciling ritual authenticity with the economic and social possibilities opened by modern adaptation, and that women artisans remain both the custodians and the innovators of the tradition.
Keywords Aipan; Kumaon folk art; ritual painting; Uttarakhand cultural identity; intangible cultural heritage; Geographical Indication; gender and folk practice; Himalayan visual culture
Field Sociology > Archaeology / History
Published In Volume 6, Issue 1, January-February 2024
Published On 2024-01-19

Share this