International Journal For Multidisciplinary Research
E-ISSN: 2582-2160
•
Impact Factor: 9.24
A Widely Indexed Open Access Peer Reviewed Multidisciplinary Bi-monthly Scholarly International Journal
Home
Research Paper
Submit Research Paper
Publication Guidelines
Publication Charges
Upload Documents
Track Status / Pay Fees / Download Publication Certi.
Editors & Reviewers
View All
Join as a Reviewer
Get Membership Certificate
Current Issue
Publication Archive
Conference
Publishing Conf. with IJFMR
Upcoming Conference(s) ↓
Conferences Published ↓
DePaul-2026
IC-AIRCM-T3-2026
NSSFIGTMA-2025
SPHERE-2025
AIMAR-2025
SVGASCA-2025
ICRTET-4
ICCE-2025
Chinai-2023
PIPRDA-2023
ICMRS'23
Contact Us
Plagiarism is checked by the leading plagiarism checker
Call for Paper
Volume 8 Issue 5
September-October 2026
Indexing Partners
Dramaturgical Structure of Usha Parinayam: A Comparative Study of the Kuchipudi and Melattur Bhagavata Mela Traditions
| Author(s) | Mrs Kadali Sri Raja Rajeswari Devi, Dr. Uppari Himabindu |
|---|---|
| Country | India |
| Abstract | Usha Parinayam, a celebrated narrative derived from the Bhagavata Purana, occupies an important place in South Indian dance-drama traditions, particularly in the Kuchipudi and Melattur Bhagavata Mela traditions. Though both traditions originate within the broader matrix of Bhakti devotional performance and Sanskritic dramaturgy, they evolved distinct theatrical vocabularies shaped by regional aesthetics, linguistic influences, ritual frameworks, and performative conventions (Vatsyayan, 1977; Kothari and Pasricha, 2001). This paper undertakes a comparative study of the dramaturgical structure of Usha Parinayam in these two traditions. Through an examination of manuscripts, performance texts, nattuvangam traditions, and oral narratives, the study analyzes plot organization, characterization, scene construction, literary composition, and dramatic progression. Special attention is paid to the influence of the Nāṭyaśāstra, Vaishnavite Bhakti traditions, temple-centered ritual performance, and regional literary cultures in Andhra Pradesh and Tamil Nadu. The paper argues that while the Kuchipudi version emphasizes performative dynamism, expressive dialogue, and audience engagement, the Melattur Bhagavata Mela adaptation retains a more ritualized dramaturgical structure rooted in liturgical enactment and Sanskritic orthodoxy (Varadpande, 1987; Kothari, 1989). The comparative analysis demonstrates how identical mythological material acquires divergent dramatic identities through regional performance histories. |
| Keywords | Usha Parinayam, Kuchipudi, Bhagavata Mela, dramaturgy, Nāṭyaśāstra, Bhakti traditions, dance-drama, South Indian theatre. |
| Field | Arts |
| Published In | Volume 8, Issue 5, September-October 2026 |
| Published On | 2026-09-19 |
Share this

E-ISSN 2582-2160
CrossRef DOI prefix of IJFMR is 10.36948/ijfmr
All research papers published on this website are licensed under Creative Commons Attribution-ShareAlike 4.0 International License, and all rights belong to their respective authors/researchers.
Powered by Sky Research Publication and Journals